A.D. Drumm Images, LLC – Landscape, Portrait, and Fine Art Photography in Rochester MN Photography

December 17, 2010

A Trashy Americana Christmas

Filed under: Rochester Civic Theatre — Tony Drumm @ 6:40 pm

Wednesday evening, RCT held the next in its Americana Showcase series. This was the Trashy Little Christmas Show featuring Trailer Trash from the Twin Cities. They made a similar appearence last year, but I missed that show.

The format for this show was different from the other showcases I’ve attened. Normally, we have four or five singer/songwriters sharing the stage taking turns. It’s an intimate environment and a lot of fun. This show, though, was more of a band concert.

The evening was kicked of with a viewing of a music video featuring Brandon Sampson and Six Mile Grove centered around Brandon’s father, a long time farmer. The video was well done and helped set the mood. Then Six Mile Grove played for us. Brandon is the originator of the Americana series, performs at all of them, but this was the first time I heard his full band play; they were great!

Of course, I had my camera along with one lens and one CF card. I decided if I filled the card, I would just be done shooting! I chose my new 135 EF f/2.0L lens. I’m loving the lens.

It’s sharp, it has terrific shallow depth of field capability with the f/2.0 aperture setting. And fast lenses like this provide the focusing system in the camera with plenty of light, so focusing is nice and fast, too.

If you read my posts here, you know I love a challenge. It’s how one moves forward, learns, explores, experiments, and flexes those photographic muscles. The challenge this time was using a single, fixed-focal-length lens. No zoom means you zoom with your feet. Or you just compose a shot using the image the lens gives you wherever you are.

The high resolution of the 5DMkII provides some flexibility in post. As I walked through the shots in Lightroom, I did fiddle with cropping here and there. But I was happy that the photos generally had a composition I liked. Most of what I did with the crop tool was tweaking.

When you’re after shallow depth of field, indeed you need to compose the shot well in camera. DOF changes with distance. Get too far away and that DOF you wanted is no more.

I saw Gregory, the executive director before the show. He asked if I would be taking photos. I held up the camera and smiled. Gregory cleared me to move around at will and shoot from backstage if I’d like. When I’m shooting at events, I try to be as discrete as possible. It’s someone else’s show – I’m just shooting.

I do my best at shows like this. I usually notice everyone who’s taking photos, but I’m sensitve to it. There were a few others shooting at the show, but they were all respectful, thoughtful.

Certainly, there are some shots you can only get from backstage. Bring in the lights and show the entertainers’ point of view. Bright lights, dark house.

Music and movement, song and voice. Expressing this in still photos is interesting and presents yet another challenge. I find I look for angles and expressions of the players to tell this story. It never ceases to be hugely enjoyable. Add in some terrific live music – both bands were terrific – and we have a great night!

December 2, 2010

Green screen fun

Filed under: General photography — Tony Drumm @ 6:14 pm

My friend and neighbor Jeff had the grand idea to put together a cool panorama shot showing all the members of the John Marshall High School girls’ basketball team. His daughter is on the team, and I think he enjoys photo editing and the challenge this would entail.

Jeff stopped by a few weeks ago to talk over the concept and pick my brain for hints. He had someone lined up to take the shots, then Jeff would do the photo editing to extract the girls and insert them into the pano over a background. He already had a good start on the background, and he had some nice posters of the U of Mn team to serve as an example. I gave him some ideas and showed him some details on the university’s poster that could have been done better.

A bit later, Jeff asked if I would mind doing the shoot. No, I didn’t mind. I thought my green screen backdrop would help with the extraction, and I used a couple speedlites to light the affair. It was a fun, if high energy, shoot, and the girls were great. I connected my camera to my laptop and shot tethered to Lightroom. This helped the girls review their poses, sometimes leading to trying a different look.

For the shot above, we thought having the ball in mid-flight would be cool, but it was easier said than done. The big problem was the carpet below the green backdrop. The ball just wouldn’t bounce, so timing the exposure was tough. We tried several times with little tweaks, but not so good.

But, Jeff’s going to be extracting the girls from the background anyway. Why try to do it all live? Without the ball, we could concentrate on a good pose. This one does the trick. Now we need a good shot of the ball.

 

Jeff obliged. I had him hold the ball with a minimum finger overlap toward the camera to make for an easy extraction. This shot was just what the doctor ordered.

After the shoot, I did some quick clean-up and color balancing in Lightroom then exported full res JPEGs for Jeff to use. The 5D MkII files are huge, my laptop isn’t the fastest on the block, so this took a while. But that gave us time to tear down the setup and drink a bit of my payment.

Back at home, I just had to play with a couple of the images myself. Looking at the shots above, you can see one of the problems with shooting against a green screen. Unless you have tons of room and very careful lighting, there’s always some green spillover onto the subject. But Photoshop has plenty of tools to help with both the extraction and the cleanup.

The ball-in-flight shot looked to be the most challenging, so that’s the one I decided to tackle. Extracted the two images, created a simple, if cheesy, background. Then set about adding some flair. Cleaned the green contamination, added reflections, a bit of shadow (two lights, two shadows). What to do about the ball?

It was just too static. In fact, had I shot it truly in flight with the strobes, it would generally be tack sharp. The strobes stop the movement. I could have pushed the shutter speed, if there was sufficient ambient light, and show some motion. But I wanted something more realistic.

I ended up adding a touch of  motion blur. This helps but needed to be masked or erased a bit to give the ball direction. Otherwise, motion blur makes it look like it’s vibrating.

This is the image I ended up with. There’s probably more I could do, but I think I’ll stop here. For now.

November 21, 2010

Haunted House

Filed under: General photography,Rochester — Tony Drumm @ 10:49 am

Different folks enjoy different holidays. The Galaty’s enjoy Halloween. Each year, they spend countless time and effort converting their home into a haunted house. I’m talking about most of their home. At a party there early this year, we had a tour of the house. In several places, the discussion was something like, “this is for the haunted house,” or “we will use this room for the haunted house this year.” That was last winter. Planning is basically a year-round activity.

They now even have a web site for the event. Part of the proceeds this year went to support Rochester Water Ski Shows which had heavy losses during the recent flooding.

As I mentioned in my last post about the drive-through Halloween event, shooting in darkly lit places and conveying a spooky mood require some thinking about lighting. The haunted house had lots of moody lighting already, although it was pretty dim as you’d expect. If you look at the background in the top photo, behind our greeter, you can see some of the red light that filled the room with the casket.

I decided to bring along my strobe attached to the camera via a cord. That let me aim it wherever I wanted. And I added a deep blue gel to keep a cool, nighttime undertone to the shots. I had to be careful not to overly compete with the great colored lighting already there, but sometimes my blue is the most noticable light. However, I think it still matches the scenes, conveys the feelings, but is just a bit different than the live experience. If I have to compromise, I want to compromise artistically, I guess.

 

Groups of visitors were guided through the haunted house. Each room had a different theme. The clown room must have been designed with my son in mind. He always hated clowns as a kid!

Both of the Galatys are fitness nuts, so it’s no surprise to find a room filled with fitness equipment. Apparently, some exercisers have been at it too long.

Black lights were used in various parts of the house. Mixing with other lights and my blue flash, the images I captured are almost surreal. They looked pretty cool in person, but the photos are amazing. I had someone ask about this image wondering what work I’d done in Photoshop. Turns out, no pixels were harmed to produce this image. It’s basically what came from my camera.

There were quite a number of actors helping throughout the tour. The costumes and makeup were great.

I particularly enjoyed this zombie boy as he crawled across the floor. Here you can see my blue flash providing just enough light to brighten his face. I would often fire the flash down or behind me to achieve the balance I wanted.

There were some rooms in which the group was treated to a brief performance such as this room with an electric chair. You can imagine what was shown. Special effects, especially smoke, were used throughout the house.

This kitchen was well stocked, although the cook was a tad ragged.

The tour ends downstairs at the back of the house, and other props such as cemetary and the Galaty’s new hearse provide more for visitors to enjoy as they walk back around the house. As I left, I was struck by all the work they put into this production and the dedication of the folks who helped make it happen. Walking back around the front of the house, the line had grown substantially since we arrived – we came early.

In one night, I shot two Halloween events. Although they had the same scary theme, they were vastly different in so many ways. As a photographer, it’s this variety that keeps me shooting. It’s not just the desire to grab a few good images but the planning and exploration of light and lighting that make it fun. When I’m all done, I look at the photos and consider whether I achieved what I set out to do. Do they match the pictures I had in my head before the shoot began?

That’s the final test. I’m happy with the results making it a good night of shooting.

November 13, 2010

A drive-through Halloween

Filed under: General photography,Rochester — Tony Drumm @ 12:34 pm

This year, we had at least two Halloween events happening around Rochester. There may have been more, but I know the folks involved in creating two events. I managed to shoot a few images at both.

It’s fun to photograph events and situations that are unusual and have unusual challenges from a photography point of view. Dark haunts count as challenging. How do we deal with existing light or how do we bring in light without changing the mood, or at best, enhancing the mood?

The History Center of Olmsted County put on a drive-through event. A large group of actors were set out along a gravel pathway through the back part of the History Center property where farm buildings and equipment dot the landscape. Appropriate costumes and make-up, lots of props, and the scary drive was ready for visitors.

And visitors they had! We arrived a little before closing time planning to drive through as the final vehicle of the night. Two hours later, we were finally at the starting point. It was a cool, windy night, but much better than some of the late October evenings we’ve seen in Rochester.

I planned to walk alongside the car and do the shoot from outside. This would let me shoot the car as well as the spooks, put it in perspective, and provide a documentary feel to the photos. Now, what about lighting?

When I asked about how the area would be lit, the response was a few lights from the buildings plus the vehicle headlights. That’s not a lot to work with for photography and doesn’t provide any control to let me highlight the various actors, make-up, costumes, etc.

One thought was to use an external flash, maybe gel’d, and try to simulate headlights. I then came up with the idea to use a powerful flashlight to do this. We could keep it down sort of at headlight height, it would have a similar color temperature as headlights, and it would let me move and adjust it as needed.

My friend Lance agreed to be my grip, handling the flashlight for me. I think it worked well, and Lance did a great job of working the light. We did cheat a bit with some shots, blasting the light a little higher than a headlight might. But, well, think of an SUV with its high beams on! Yeah, that works.

The light was nice and direct, centered, with good fall-off. All of that appears to mimic the headlights exactly as I wanted. Having the car in many of the shots does the trick, too. All-in-all, I’m pretty pleased with the results.

Photography is all about light. No light, no photo – it’s pretty simple. But just having some light, perhaps enough to burn some photons on the camera’s sensor and make an image, isn’t always enough. For me, photos need to evoke some sort of feeling, connection, mood. And a scary Halloween event would be totally missing those characteristics if we’re not careful with the light, shaping it as needed. Hopefully, I’ve achieved my goal here.

I attended another event the same evening with a completely different feel. I’ll blog about it later.

November 3, 2010

Mamie Drumm – a memorial

Filed under: Personal — Tony Drumm @ 9:43 pm

In the late 1800s, two Italian immigrants to the US met and in 1901 they married. They lived in Roseto, PA named after their home town in Italy. Work took them to Columbus, Ohio along with many other Italians. There, they raised their family. Born in 1917, was little “Baby Rogers” who they called Mamie. She was the youngest female of the six children who survived to adulthood with only Danny being younger.

Mamie was always proud of her Italian heritage. Things were done the “Italian” way or the “American” way. Never mind that she was as American as any other native-born citizen.

She attended high school at Columbus Central High, and if I remember this right, she was the only one of the six kids who graduated from high school. At Central, she met Bob, an athlete through and through. He was the football quarterback, the track star, the wrestler who, through his career, was never pinned. He became the love of her life. They stuck together through the Great Depression, waiting until jobs and income were sufficient to support themselves as husband and wife.

Although he was 26 years old, Bob was drafted into the Army to serve in the signal corps in the Pacific theater of World War II. He spent two years in the Pacific while Mamie managed the household alone. She took a factory job like millions of her female peers. They wrote to each other constantly.

Their early lives together were not easy. But Mamie had been a strong child and became a strong adult. She could take control of a situation and knew how things were to be done. She was a good cook who knew how to make all the staple Italian foods. She had done much of the cooking for her family as her mother began to suffer the symptoms of diabetes, and brought those skills to her marriage. But she was not afraid to branch out, try new recipes, make them her own.

Her mother-in-law made fabulous pies that Bob loved. Pies were not something she had had growing up, but she learned to make them in spite of her mother-in-law’s reluctance to show her how. Pies became her trademark, the culinary wonder that everyone who tasted them would crave. People fought over her pies at bake sales. They made sure they were there to claim the pies before the sale even began.

Pies became my favorite dessert. I judge the quality of a pastry chef’s pie by comparing a cherry pie to Mom’s. Few make the grade.

Over the years, Mamie had several pregnancies but only two children. Illness would always spook her, and I think she always feared losing a child. Tradition was strong in Mamie, but somehow she expanded herself beyond the norm. This began, no doubt, by falling in love with and marrying a fellow who was in no way Italian. French, German, Irish – she called his heritage “League of Nations.”

She adapted to the new ways of doing things to spring from the 1950s. No more coal fired furnace. A refrigerator in place of the ice box. A washing machine without wringers. She wasn’t afraid to use convenience foods, and in the early 1960s, she left the house to work in retail, earning money she could use to put her kids through college. With Bob going back to school to get a degree in Physics and her two children eventually earning advanced degrees, she’d refer to herself as the “dummy” in the family. We all knew this was not close to true.

Mamie had an incredible mind and the most gifted memory I’ve ever known. She knew the birthday, marriage dates, relationships, children of children of relatives I didn’t know I had. It was truly incredible. Dates and places – she’d recall without a second thought.

She managed the family finances, kept a budget scrupulously. I always figured it came from living through the depression, but I don’t know others who managed things so well.

Aside from her miscarriages, Mamie had more than her share of physical ailments. I could never count all the many operations she had. And several happened in an age when, frankly, surgery was still pretty iffy. But notwithstanding physical issues, she had an incredible strength. These problems were not going to stop her and barely slow her down. If the house needed cleaning, by God, she was going to clean it.

And her own ills did not interfere with her providing assistance to others. One of her sisters is sick, she’d do her laundry. She’d clean her house. It was expected – it’s just how things were done. Someone comes over to visit from out of town? You give up your bed for the guest.

Her kids didn’t always follow the path she expected. Her daughter attended marches protesting the war in Vietnam. Her son took up skydiving as a weekly activity. Both left Columbus and her, to stake out their own lives. She missed us, but understood.

Whatever we needed to do, no matter how she felt about it, was okay. Accepted. Of all the lessons we learned from Mamie, acceptance and unconditional love were the most important. The world could learn so much from her.

Mamie was proud of what her children had become and what they had done with their lives. Her children trumped everything else.

In 2006, my sister Grace suggested we get the whole family together for a Christmas in Florida. It was a great idea and terrific Christmas. Living in upstate New York and then in Minnesota, I spent the holidays at home with my family. The one year we drove to Ohio for a surprise visit for Thanksgiving, we hit a snow storm along Lake Eire that reminded us why we didn’t travel for the holidays. So, gathering with the Drumms for Christmas was special.

And walking on the beach at Christmas time is a fun break from the nearly inevitable white Christmases we have here. Mom and Dad, around 90 years old then, were still quite mobile, and I think they enjoyed us all being together a lot. Especially Mom.

The past few months have been rough. When you are in your nineties, little things add up and your body just can’t deal with problems like it once did. The hospital visits suddenly became frequent, and recovery less successful. When I saw Mom in July, she looked okay but was using the walker regularly. In August, we had to move them to be closer to one of us. Mom had never before lived outside of Columbus.

Her health continued to suffer, but her strength – perhaps stubbornness – prevailed again and again. I think she amazed many of the caregivers who provided assistance. In the end, she waited until she was doing better, done being in a hospital, to leave us. It had to be on her own terms.

My mother was not a saint, not without faults. She was human like all of us. But she was passionate about life and family. She was determined and knew how things should be – were supposed to be – and tried to control those things as best she could. But she adapted in spite of herself, in surprising ways, and, when things seemed out of control, she let love guide her. She did her best, she gave what she could and more. She lived and prospered through the Great Depression and WWII, and 71 years of marriage to the same man. And she made the best pies I’ve ever tasted. How many of us can say as much.

I’ll miss you, Mom…

October 30, 2010

Americana Showcase – October 2010

Filed under: Rochester Civic Theatre — Tony Drumm @ 9:39 pm

Last Wednesday, RCT held one of its American Showcase series of intimate singer, songwriter shows. I thought I’d attend, and I considered whether to take the camera. I considered it for maybe 10 seconds. If I don’t take it, I can’t take any photos. If I do, then I can decide not to take photos (yeah, right!).

Brandon Sampson was largely responsible, I’m told, for the existence of this series of concerts. He’s a terrific singer/songwriter, almost exactly what you think of when you hear that term. I had just seen Brandon a few days earlier at a benefit for flood victims from our recent huge rain storm. Folks who give back to their community are special, and those who bring such a rich talent to such events deserve our admiration.

Two of the other musicians were both named Ben. This Ben had a huge flower attached to his guitar. Yes, I was absolutely required to take a photo of the flower. How could I not?

Martin Zellar has been to these concerts before. He’s a wonderful songwriter and, judging from the response, has a large local following. Local boy makes it big. I believe he’s from Austin, MN although, as something of a newcomer to Minnesota (only 18 years), I don’t know all the lore. But I thoroughly enjoyed Martin.

I enjoy shooting concerts. I always have. I remember shooting at some big name concerts years and years ago, when no one cared if you took photos of Chicago or The Beach Boys. Or Bob Dylan. Shooting concerts is challenging, but it’s not a whole lot different than the show photos I shoot at least as far as the lighting is concerned. When shooting show photos, I can have folks stay still and push my shutter speed a bit. You don’t have that luxury at a live event.

I sometimes notice something that just strikes me. It’s different, unlikely to be photographed by others, and it still is a part of the event. I doubt anyone would pay me for a big wall print of this, but it pleases me in some weird way.

Something I like to do at concerts is find moments that are more reflective. A glance, or in this case, Martin just listening. We sometimes are completely focused on the person performing, or the lead, or the guy doing the guitar solo. But there are other people on stage, and I like to capture their moments outside the spotlight, as it were. Being people. Listening. Contemplating.

Probably what I enjoy the most at these concerts are the songs that become more of a jam. Each performer takes turns singing one of his (or her) songs. They do this round robin. But sometimes, usually starting with Brandon, others will join in. A bit of harmony on the guitar or maybe voice. A light background harmonica. Years ago, I played percussion and loved when a group of musicians just makes great music together, unrehearsed, spontaneous. It’s magic. And that’s the feeling I have again at these events when that happens.

After they ended, the applause continued and the group came back on stage for an encore. They played Johnny Cash’s Folsom Prison, led by Martin. It was a great end to the night. I think some of the patrons stuck around, but it was a work night. So, I grabbed my camera and headed home with a few hundred images to sort through. I hope you like my favorites here.

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