A.D. Drumm Images, LLC – Landscape, Portrait, and Fine Art Photography in Rochester MN Photography

February 27, 2013

K&M Adventures – Grand Canyon

Filed under: General photography — Tony Drumm @ 8:56 pm

I love photographing people, but heading outdoors to experience the earth and nature can be tremendously rewarding. As a photographer, it can be challenging trying to capture the wonders around us into a simple photograph. Adding to that challenge are the iconic places so often photographed. How do we bring something new to the table? How do we infuse a photograph with something of ourselves?

I enjoy workshops, spending time with other photographers while learning something new or absorbing some of the artistic energy of the workshop leaders, making it part of my own artistic makeup. I’ve now attended three workshops run by Moose Peterson, a renowned wildlife and landscape photographer. The first Moose workshop I attended was in Kauai a few years ago, part of his Digital Landscape Workshop Series. Even though I’d been shooting for years, the experience was amazing, and I think it’s fair to say it changed my photography.

The DLWS workshops, held for several years, are now history. His new venture is K&M Adventures, run with his good friend, Kevin Dobler. Kevin was also a regular instructor at DLWS, and like Moose, loves landscape and wildlife photography.

Wouldn’t you know, Moose announced a K&M Adventures trip to Grand Canyon. I visited the canyon when I was 15. While it would be a few years before I’d use an SLR, I still had a strong interest in photography. I remember the disappointment with capturing the grandeur of the place on film. It’s just so big it defies our efforts to describe it in an image. Frankly, standing on the rim, it is surreal even in person. So, it seemed the perfect location to learn and Moose and Kevin were the perfect photographers to teach. I called to sign up right away.

Photographers' Breakfast

K&M Adventures really is a different concept and approach. The group is limited to eight students, and we spent nearly the entire time together – sunrise shoots, then breakfast, a noon get-together for questions and one-on-one help with finishing photos, then our sunset shoot, and finally dinner. Meal times were great with lots of socializing and laughs. Kevin is a flight instructor, so I could talk photography and flying – pretty much all I could ask for!

God Beams

Then there was the shooting. We had terrific photo weather the first couple days (that is, cloudy and snowy). Clouds bring character to the canyon. Blue skies make it tougher to add drama to a photo. In an iconic place like Grand Canyon that has been photographed regularly for the past 150 years or so, we need a little drama.

Snow Storm

When there were tons of clouds, the entire canyon could be filled with white – clouds and snow – and there’s nothing to see. Or, they could pass by, opening the canyon for us while providing a snowy region to make the subject of a photo. Clouds give life to the rocks. Indeed, such a landscape exists because of the interactions of rock and water.

But even an evening with just some high clouds could be good. I’ll never forget the evening shooting before the sunset looking for something, anything, that might really pull me in and help involve someone viewing my photo. Sort of an okay sunset, but nothing special. Then, just as the sun disappeared, the canyon literally lit up with magenta light. It happened in the course of a minute or so.

Magenta Canyon

In fact, I was pretty much done shooting, when, WOW! Surprises like that can just make your day. Patience is a virtue a photographer needs. Not every shoot will provide a winning shot, but you don’t really know until the light is gone.

Sunset at Desert View

Grand Canyon is a wonderful place for a photographer and has been for more than a century. The colors are fabulous, but the textures and lines and levels give us plenty of opportunities for dramatic black and white images as well. Imagining all the photographers who have come before, so many carting their big 8×10 glass plates around the rim and into the canyon, it’s awesome. It’s worth stopping from time to time, too, just to put the camera down and look. Experience millions of years of evolution of our remarkable little dot of a planet. Wondrous.

K&M GC

Moose and Kevin are terrific teachers. Their understanding of visual perception and ability to impart that knowledge on the students is fabulous. It really doesn’t get much better.

February 10, 2013

Shadowlands

Filed under: Rochester Civic Theatre — Tony Drumm @ 1:37 pm

The Men of Oxford

Last night I shot show photos for Rochester Civic Theatre’s production of Shadowlands. This tells the story of a middle-aged C.S. Lewis finding love rather unexpectedly. It’s a rather emotional story, and knowing a little about the plot, I was surprised at the humor that finds its way into much of the story.

Joy Reads Her Husband's Letter

It’s always interesting to me the choice of color of the lighting and costumes. Those colors can set the mood for the show. Here, there were rather muted colors, lots of browns and dark shades, and there was an overall magenta cast to the lights.

Civil Wedding

I think the most colorful costumes were those worn by Joy, Lewis’ love interest. It isn’t too hard to understand why, as she brings some color into Lewis’ life.

Douglas and His Apple

A golden tree hides in the shadows at the back of the set, lighting up rather unexpectedly during the show. It serves as something of a gateway to other worlds including those of Lewis’ books such as Narnia.

Jack and Joy

In terms of the photo shoot, actors tended to be more or less together in areas of the large set. That made my job a bit easier. I often have to find some way to include either a large cast (think about big musical numbers) or cast members at the far corners of the stage interacting. Here I had less of that, and I was able to zoom in more and get in close to the players. That’s always nice.

The more challenging aspect of this show was probably the lighting. None of the scenes were brightly lit. Often, there was one or a set of bright lights with an otherwise muted background. This is similar how spotlights affect the shot – lots of contrast. There were a few shots with very low lighting, but I’m able to reasonably deal with that.

After I returned home, I started to wonder how many shows I’ve shot. This show makes 65. I’m beginning to figure it out, I think!

Powered by WordPress