A.D. Drumm Images, LLC – Landscape, Portrait, and Fine Art Photography in Rochester MN Photography

April 22, 2012

Riverland’s Production of RENT

Filed under: General photography — Tony Drumm @ 1:38 pm

Opus 100: Hey! It’s my 100th blog post. I wish I was able to post more frequently, but I’m pleased to have hit triple digits. (Isaac Asimov fans will understand the Opus 100 reference.)

This week, I was out to Riverland Community College to shoot show photos for RENT. I shot during one of their final rehearsals. They opened on Friday and will run again next weekend. Lynne and I will be out there Sunday to see the final performance. It will be good to be able to concentrate on the story rather than just the visual look as I do while shooting.

The cast and crew did a great job. Scot and the band were terrific, and James’ set is amazing. You’ll see some of that set here. He told me later how hard it was to make things look run down and grungy.

I took a ton of photos. That seems to happen more so with musicals. There’s more movement, choreography, I think, that makes me move around more, searching for the right composition to tell the story of the show with still images. Beyond the technical challenges of shooting in low light and harsh light, the real trick is seeing the image you want in your head then moving to the right place to photograph that image. Sometimes, things happen too fast and there’s not enough time to move from stage left to stage right. But when you get it right, it can be very satisfying.

While moving in tight is good, and it’s my preference, some scenes demand that you capture nearly the full stage. These images take you there and let the viewer know these are shots from a stage production. They help show the extent and art of the set.

This show presented many really nice opportunities for good shots. The blocking often produced good photographic composition. Several of my shots show almost a classic triangular composition. It’s a reminder that performing arts are visual arts, too. While they have other means to draw the eyes of the audience and focus attention, classical forms and rules still have a use. Lucky for me as I can then translate them into my two-dimensional form.

In choosing photos for this post, I had many that show one or two players up close, interacting with each other or interacting with the audience. Creating drama, emotion.

My goal is to capture that as best I can. Having the right sight-line, as I mentioned earlier, is an important piece of that puzzle.

When you get it exactly right, it’s almost magical. The actors are performing the vision of the director, so I don’t have the ability to pose or re-pose my subjects. My posing then takes the form of my feet. Moving to make the shot work the best. If it can look planned, that’s great!

RENT is a musical filled with angst. The singing is nearly constant, and there are plenty of chances to capture a cool solo performance.

Shooting a lighted subject against a dark background helps draw us to the subject. It’s sort of Lighting 101. And it produces some of my favorite shots.

And some shots combine all the elements. Emotion. Interactions. Lighted subjects with a dark background. Terrific visual composition. I press the shutter and know I have a photo I’m going to like. One that might make a great finale for a blog post!

 

April 14, 2012

RCT 2012-2013 Season

Filed under: Rochester Civic Theatre — Tony Drumm @ 10:49 am

Last night, after the opening performance of Chicago (an awesome show, by the way!), Rochester Civic Theatre announced their next season which begins this September. With the new shows unveiled, I can finally show you the show posters I’ve been working on!

I was just looking at the files on my computer. I began working on RCT posters for the 2006-2007 season. I’ve had some posters I’m quite proud of, but my skills in lighting and taking the photos that form the basis as well as my Photoshop chops have improved a ton. Learning is part of being an artist, and I hope I am always able to look back and say, yes, I’m better today.

I thought I’d present the posters in order of the coming season which starts with Kill Me Deadly. This is, in fact, my favorite. The idea – Greg Miller, artistic director at RCT, again developed the basic concepts – was to model this after a film noir poster from the movies. We used  Bogart’s Maltese Falcon as our model. Greg and I collaborate from the outset, and I send proofs to Greg during the process. Is this what you were thinking? Thoughts? Greg sends back his ideas, notes my misspellings(!), etc. For this, it was, can it be more painterly? More graphic, less photographic. Okay. Let’s try this.

An interesting turn was the background. I had a nice black to transparent gradient behind the models, not unlike what you see here. But at some point, I decided to use one of the newer painting brushes in Photoshop CS5 and just draw in a background by hand. I loved it right away. Added some layer effects to our hero to set him off from the background, and we were down to just tweaking. I think I’d enjoy having this one printed up big and hung up like a movie poster.

Next up is Flowers for Algernon. I don’t know this show in detail, but I’ve heard it compared to an old film, Charlie, which I saw years ago when it was in theaters. This was fairly straightforward, trying a few different concepts for the mouse – how it looks, where it sits. One of my final changes was to intertwine its tail slightly with the “w” to make it feel more connected. I began with a plain background and Greg suggested finding “smart things” to put there. That worked pretty well. I had some different color variations but ended up with a pretty monochromatic palette, which I think works.

Photographically, the poster for The Neverending Storywas the most interesting. I needed to light the boy’s face as though the light emanated from the book itself. He was a trooper, letting me shoot several shots with small adjustments, getting things right, while being blasted in the face by a gel’d flash.

The December show tends to be something with wide family appeal for the holidays, so this show should fit the bill. It will have it’s technical challenges, too, I’m assuming. Dragons and all.

Part of what I love about the posters for this season is the variety. We go from a very photographic image to a pair that are quite graphic and non-photographic. The family of three in this image was one I showed a while back in an earlier preview post. Since I use photos as the core of the posters, I made sure I shot this from the proper angle. It works so much easier and better than trying to morph the angle and perspective in post processing. I stood on a ladder to take this shot.

The long shadow deserves a second look as the effect there – as it was in Greg’s original sketch – shows subtly the theme of this show. It’s amazing how adding the background texture to this image makes it whole. It somehow connects the elements producing a very different look than a plain background.

The 2013 spring musical will be The Marvelous Wonderettes with a lot of classic 50s and 60s music. The logo for this show was provided to the theatre, so it became the central element. We shot this photo with our four female models and, as you might guess, I basically traced their forms. When I was a kid, we had an artist in the neighborhood who taught art classes in his home on Saturday mornings. Mom knew I loved to draw, so she signed me up. I took his classes for several years. I’d never claim to be much of a painter, but I did learn a lot which helps me in my photography somewhat, and certainly helps when I have tasks like this. I think I did a reasonable job with things like the necklaces and other elements. He’s no longer with us, but I think of Joe Saling whenever I do something like this.

Kayley was blowing a big bubble for our photos, but I ended up creating a bubble from scratch to work a bit better. She also had a short wig that didn’t come across very “girly,” so Greg asked if I could add a pony tail. That helped a lot. I pulled colors from the logo except for the hair, and added a bunch of stars to the background based on those in the logo.

As it turned out, the last show for next season, Rounding Third, was the first poster I did. We had a couple ideas for this poster and ended up with this one. No human models, so I was able to begin working on it right away. I borrowed a baseball from a fellow at work who provided several from which to choose. This one had enough dirt and character to be interesting. I began with a black background. Greg suggested a ball field. Well, I just happened to have some shots I took years ago that worked. I gave this a hint of the sports magazine cover look that I used last season for Home Games. But just a hint.

That’s it – six shows that look like the makings of a great season. Season tickets and RCT memberships are on sale now. If you’re in Rochester, I highly recommend becoming both a member and a season ticket holder. If you don’t know much about RCT and the quality of their productions, buy a ticket to Chicago and see for yourself. The talent on- and off-stage is remarkable. It’s a bargain, and you’ll be helping keep the arts active in Rochester. There’s really nothing like live theatre. And, by the way, you’ll be able to see much bigger versions of my posters!

April 5, 2012

Cousin Ron – Remembering

Filed under: Personal — Tony Drumm @ 7:29 pm

I come from a family of two children, my sister and me. Grace and I got along pretty well as brother and sister (except maybe that time I needed stitches…), but she was several years my senior. She was six years ahead of me in school, started college and moved out of the house in the late ’60s before I started high school.

In our extended Italian family, most of mom’s siblings had few children. Sort of odd for an Italian family, but that’s how it was. Uncle Mike was the exception. But mom was nearly the youngest of her siblings and my folks were older parents, so I actually had no first cousins my age. In fact, there were children of my first cousins older than me. But my cousin Ron was only three years older than me. He was the only child of my mom’s sister Mary. We spent a lot of time at Aunt Mary’s house and with her family at our house. Ron and I got along great, and looking back, we were in many ways like what I imagine brothers are like.

I looked forward to visiting with Ron (back then, he was Ronny – oh, and I was Anthony!). I never really considered that he was so much older than me but didn’t seem to mind hanging out with me. When you’re 6 or 7, three years is a lot.

When my parents passed, I did some sorting through old photos. There are many more to go through, but I brought a few home. Looking through them yesterday, it struck me how there are snapshots of events, and there’s Ron, often beside me.

Usually with a smile on his face – happy to be there. Happy to be with me.

Ron introduced me to comic books. He always had an assortment at his home that he let me read. Mom never bought me a comic book – dad probably thought they weren’t great reading for his son. Or maybe I just didn’t ask. But Ron had all the classics and knew them well. This was the era of the Batman TV show which we both disliked. I think we were too young to understand the tongue-in-cheek campiness of the show. Years later when I saw the Batman movie (the original cast one, not one of the newer serious movies), I was rolling on the floor laughing at lines like, “Hand me the bat-shark repellent, Robin!” Ron was there watching it with me.

We moved into a new development in 1960 on the far-north border of Columbus. As in, there were farm fields from our house north. Morse Road, for those who know Columbus, was a two-lane road, and there was an old airport just off Morse. Ron once told me about going into the airport buildings and finding a very old Coke machine with some rather sketchy bottles of Coke still in it.

As they began expanding the subdivision northward, we had a great place to explore. Houses under construction. Scrap wood to haul home. I think it was scrap. A bulldozer to play in. Or maybe, a bulldozer to start up. I vaguely remember we were shocked that the engine started and took off home. Like I said, we found mischief like I suspect brothers do.

We got older and interests changed. But Ron and I remained pretty close. My elementary school was grades 1 through 8, and high school was 9 through 12. I played football in 7th grade, pleasing my sports-loving father. But our “league” had a weight limit – 125 lbs. I barely made the cut-off, and for one game, I wasn’t allowed to play. By eighth grade, there was no way I’d be anywhere near 125 lbs. I was nearly the size I am now. The coach’s son, on the other hand, was a more typical size (tiny in my view at the time!). So there was no way he was going to move us to a bigger league. What to do.

I’d been taking drum lessons for a few years, looking forward to marching and concert bands in high school. Ron was in the band – he was a HS Junior then, and suggested why don’t I come by for a practice and see if the band director would let me play. We had a small school and a small band, so yeah, I could play. The snares were all taken, but there was an extra set of cymbals. So I joined the band in 8th grade and would spend 5 years playing – a wonderful part of my life. And it was Ron who got me there.

I got to spend two of those years with Ron in the band. We didn’t have a real home field then, so we played games at one or the other of the two local public high schools. We had to find our own transportation. Dad took me sometimes, but luckily Ron was driving by then. He had basically exclusive use of his father’s 1964 Dodge Dart. Ah, the Dart!

There was the time we were driving to one of those high schools, Northland HS. Northland HS is situated sort of in the middle of a housing development. We were on our way there and trying to remember which road do we turn on. They look a lot alike. Wrong choice – cul-de-sac. We got to the end and did the u-turn in the circle at the end of the road. As we reversed direction, there was a line of cars leading all the way back to the intersection. For some reason, they had all followed us! It was strange, but something I remember.

At the time, the Columbus outer belt, I-270, was under construction. There was a completed section at our end of town that went from High Street in Worthington to Cleveland Ave near Westerville. About 4 miles. That should be enough to get the Dart to 100 miles per hour. If we drove east, with the wind. It was, but not by a lot.

There was some road up north, near the reservoir, where Ron knew if you hit this hill going fast enough, you could get air. It was fun, so we’d do it repeatedly. Then we’d head to some pizza joint he knew about where the owner would fix an extra cheese pizza that had a ton of cheese. I’ve never seen anything like it anywhere else. We’d play pinball or just talk.

After the football games, many of the band members would head out for pizza and pop. There were two or three places we’d frequent. One night, we decided on the place on Indianola Rd. I don’t remember the name, but it was near Cooke. When we got there, we had a decent size crowd, but there was some problem. I think it might have been closed for some reason, but we just couldn’t stay there. But many of the kids had been dropped off. There weren’t enough cars and those that were there started heading out (to our favorite, Fortes on Cleveland Ave.).

Ron had the Dart, and I was riding shotgun. He looks around and says, I think we’ll fit! So we start piling in. And piling in. And piling in. Way more people sitting on the seats than the seats were meant to hold. Then more people laying on top of the seated people. Or at their feet, or behind their heads. Wherever.

We disagree about the count. I remember the total being 11. Ron swears it was 13. In a 1964 Dodge Dart. I already mentioned that I was adult size already. Ron was big. I don’t think the remaining 9 or 11 averaged out to tiny. Ron remembered someone’s head was under his arm. Yeah, that was me. We drove down Morse Rd (the wider version close to what’s there now). It was fairly late and traffic then was light that time of night. There was a red light ahead and stopped at the light was a police car! What to do? Do we drive up next to it like there’s nothing odd and take a chance of him looking over at the car, window-to-window with bodies? Or do we stop 100 feet back. That can’t be good.

Ron slowed way down, didn’t stop, but we were discussing it all the way. Then the light turned green and the cruiser took off. Whew! We made it to Fortes in one piece. But that’s an experience I will never forget.

There was the time Ron called and asked if I wanted to play football. I’d ride my bike the 3 miles to a park near his house. We’d play tackle football, Ron and a bunch of his friends, and me – the kid. Oh yeah, no helmets, no pads. I likely had a concussion at one of these events when I was airborne and landed on my head. But I road my bike back home, happy to have had some fun playing football.

After Ron graduated, we spent a lot less time together, mostly only at family gatherings. Thanksgiving was always at our house. Christmas was at Aunt Erma’s. I did college, my skydiving thing, then graduated and left Columbus. I returned to serve as an usher for Ron’s wedding, but we only saw each other on and off over the years. Somehow, when we got together, we always had something to talk about. I’m not sure how that worked, but I guess brothers are sort of like that.

One of the hallmarks of our Italian family was food. We loved food. We loved to eat. A downside to this was diabetes. It took my grandmother and has afflicted many in my family. Yesterday, it took my cousin Ron from us. His life these past few years has probably not been the best, but he still seemed pretty up beat considering, even when I saw him last summer after dad’s funeral.

As I sat and thought about the stories I can remember, I was amazed how many came to mind. Not just the packed Dart, although that one pops in my head first. And I’m amazed how kind he was to a young kid. But I was his cousin. I was family. And that meant a lot to Ron. I’ll miss you, cousin.

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