A.D. Drumm Images, LLC – Landscape, Portrait, and Fine Art Photography in Rochester MN Photography

March 4, 2010

Kauai Part 1 – Helicopter tour

Filed under: Beautiful Earth,General photography — Tony Drumm @ 7:17 pm

Prepping the bird (click for more photos)

I can hardly believe it’s been a year since our Hawaii trip. Lynne and I spent several days on the garden island of Kauai last March. While there, I attended one of Moose Peterson’s Digital Landscape Workshops. It was intense but amazing. We extended our stay to do some sightseeing and general touristy things. I thought I’d write a bit about the trip here in two or perhaps three posts. Today, I want to talk helicopters!

This was our second trip to the island state. On our first trip, we were flying from San Francisco to Honolulu. I overheard a flight attendent talking to the couple in the row in front of us. “…helicopter…Kauai…doors off…” What? Doors off? As she started to move toward the back, I called out, “excuse me!” What’s this about a helicopter company that flies with the doors off?

She provided the name, Inter-Island Helicopters. They fly from Port Allen airport on the south side of Kauai, not far from Waimea Canyon. Their helicopters are hot little Hughes 500 birds that seat five – three in front and two in back. With the bubble canopy in front, this means everyone has a window seat. And, indeed, they fly with the doors off.

What difference does that make? Well, even flying in a small plane, the experience is somewhat disconnected and surreal. I always liked opening the window to feel the wind rush in, hear the sound outside the cabin. It’s hard to explain, but it’s different. As a photographer, the difference is obvious. No plexiglass between me and my subject. Flying around the mountains and close to one of the wettest places on the planet, you feel the dampness, the coolness. I guess I’d say it is no longer a scenic tour but an experience.

On that first trip, Lynne was not thrilled by the idea of a helicopter flight, so I did the flight without her. This trip, she decided to give it a go. She doesn’t like flying all that much in general, but as we lifted from the pad, her eyes and her smile lit up. I’ve assembled a few shots from that flight. I was clicking away pretty much the entire time, but I did stop now and then to really take it in without the distraction of framing and exposure. It is an incredible place and an incredible experience.

Inter-island Helicopters offers two types of flights. One is a tour just shy of an hour, and the other includes a stop at a waterfall in the interior of the island. Although we had opted for the latter, the weather did not cooperate. Strong winds were making entry into the valley unsafe. Our pilot made two attempts then made the command decision (pilot lingo) to skip the waterfall. It was the right decision, and I understand how the agreement between mother nature and aircraft works! They refunded us the difference and gave us a discount on their logo products.

They are a small outfit, and you won’t find them advertised in all the tourist brochures. I saw someone’s complaint online about having a flight cancelled due to the other passengers rescheduling. I can see that happening. It’s not a low-cost business. But they feel right to me. You can see their green hanger in the photo of Port Allen. This is not where you go to relax in a large helicopter with air conditioning and music and a video of your tour. Instead, you wear David Clark headsets connected to the pilot, and stick your lens out the side to get the shot. Wear a jacket: it’s windy.

Oh, and by the way, Inter-Island Helicopters is also Air 1, Kauai’s search and rescue outfit. While we were there last March, a surfer went missing during some unusual (we heard) high surf on the east coast. News reports mentioned Air 1 being called in. I think they were also involved in looking for some folks lost in the high river after several days of rain.

Here’s one more shot that Lynne took in-flight. These are the expressions we had on our faces the entire flight!

February 22, 2010

Plummer Building Carillon

Filed under: General photography,Rochester — Tony Drumm @ 9:24 pm

Atop the Plummer Building in downtown Rochester, one of the Mayo buildings, are 56 bells making up a carillon. We were fortunate to have a tour of the upper floors and the carillon and a private concert by the carillonneur, Jeff Daehn. Private is relative for a carillon since, well, it’s large bells on top of a building downtown! Here’s Jeff in action.

The view from the balcony was terrific with some good photo opportunities. The building represents an earlier era when architecture was ornate. There are large heads at the balcony level. I tried to find out what they represent without luck. Perhaps someone else knows? In any case, they made for some fun photographs with Rochester sprawling below or shielded by rising steam on the chilly day.

I particularly like this shot of Lynne and the smile I love.

February 20, 2010

Photography Exhibit

Filed under: General photography,Rochester Civic Theatre — Tony Drumm @ 11:42 am

Gypsy opens at Rochester Civic Theatre on March 5. It has a great cast, director, stage manager, artistic crew – everything you’d want in the spring musical! But, I’m hoping folks won’t be in too big a hurry to take their seats.

During the run of Gypsy, the theatre has graciously offered to exhibit some of my work in the lobby. I produced 18 matted and framed prints for the exhibit. I have many photographic interests, so these prints cover a range of subjects. I did pull in one show photo, one of my favorites from Wizard of Oz.

RCT has often decorated the lobby with the work of local artists. I’m thrilled to have an opportunity to join those ranks. If you’re in Rochester, I hope you make it down to RCT for the musical. And if you do, I hope you enjoy my little exhibit!

February 17, 2010

What we photograph

Filed under: General photography,Rochester Civic Theatre — Tony Drumm @ 7:18 pm

It’s funny what we sometimes photograph. Lynne has shots of me taking pictures of a big rock or sand or gravel. Textures. Some time, that texture may come in handy! I’ve used an image of the skin of a World War II aircraft to provide a nice background texture, colored of course, for a poster for Streetcar.

And sometimes, you just need something that’s hard to create from scratch in Photoshop. I know there are terrific graphic artists like Bert Monroy, who can work magic from nothing. I attended one of his day-long classes and learned a lot. I’m not afraid of the pen tool any more. And some things I’m sure I could generate from scratch. But gold foil? Not so easy.

There are tutorials around for making your text look like gold, but they just don’t extend that well to a larger surface. And no one seems to agree on the right color. Sort of yellow, but not. Maybe a touch of green, maybe not.

Lynne to the rescue. She shows up with a roll of gold wrapping paper. Cool. I just need to take a few photos and pick one. Then cut out an appropriate piece to insert into my artwork. So, I hang it on the wall, which was a trick in itself, grab the camera and a flash. Aim the flash at the back wall, at the side wall, the other side, up and back. Click. Click. Click.

My 85% gray walls work well for setting the white balance and the hard part is done. I know how to insert it, adjust it for highlights, add some reflections of “nearby” objects, and we’re good to go. I just hope this doesn’t give something away for the new season. It’s obvious when you know!

February 12, 2010

The oscilloscope story

Filed under: General photography — Tony Drumm @ 8:21 pm

How did a Heathkit oscilloscope move me into the world of SLRs?

A good friend of mine, Don, had an SLR. It’s been a while and I don’t remember for sure the make and model. But, it was full manual and had a universal lens mount, meaning the lens screwed onto the body. Don would expain to me the basics of f/stops and depth of field. He also was in the OSU engineering program, so we liked to talk technology and physics. It happened that while Don had an SLR, I had an oscilloscope. It was a fairly simple scope, a low-end Heathkit I had built. I won’t bore you with an explanation of what an oscilloscope is – a Google search will do that.

Anyway, Don needed to use an oscilloscope, and I really wanted to play with a good camera, meaning an SLR. So we did a swap. It wasn’t a swap forever, it was a swap for temporary. How weird is that? In fact, I still have the scope and should really get rid of it. But using Don’s SLR hooked me. I always loved taking photos, but this was so much more. All these creative techniques were there for me to explore.

I soon purchased my own SLR, the newly announced Canon AE-1. My friend, Dick Boden, who’s picture I show here (with me in his glasses) was a great photographer and avid Olympus shooter. He owned the OM-1 and OM-2 bodies and a host of lenses. The AE-1, he told me, had this new fangled autowinder. It was hugely cheaper than the power drives on more expensive cameras, just slower. But, I’d be able to attach it to my helmet and shoot in freefall. Cool.

I bought the AE-1 and the power winder, and Dick helped me fashion a camera mount onto a helmet. I bought a six-foot remote release which I could maneuver down to my hand, and I was good to go. Well, it’s tougher shooting in freefall than it looks, but I did get some decent shots. Maybe I’ll dig some up and scan them.

Sadly, in 1977, Dick was jumping in Florida with a helmet mount similar to mine. During parachute deployment, his chute caught in the mount causing what we called a malfunction which took his young life. Dick was a great friend, also an engineer, and a mentor. I’ll never forget him or his influence on my photography. I miss you Dick.

Sigh. Anyway, that’s the long version of the oscilloscope story. How Heathkit helped direct my passion for photography. Here’s another shot from back then. Not sure if this was using Don’s camera or the AE-1, but it’s one of my favorites. It’s my wife, my love, my friend, Lynne.

February 2, 2010

Snow Shooting

Filed under: General photography — Tony Drumm @ 6:30 pm

I was working on a shoot for which I needed snow and a nice grey sky. Unfortunately, I was maneuvering around some pavement that is not particularly well cleared. As in, icy. I couldn’t move my car from the position above. The snow isn’t deep, but it is covering ice. The front tires seemed to be in slight ruts and, even with winter tires, it wasn’t going anywhere.

Oh well, I need to take some photos before the light fails me. It was snowing lightly, the sky was a uniform grey, and the lighting was great, if a tad low. A few minutes later, I had my shot. I also had very wet jeans and gloves. Even my shirt was wet, although I’m not sure how that happened. But I had my shot! That’s what counts.

Back to the car, I decided to try pushing it free, and that worked. Whew! Photography can be an adventure even close to home.

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