A.D. Drumm Images, LLC – Landscape, Portrait, and Fine Art Photography in Rochester MN Photography

May 28, 2010

Why we photograph

Filed under: General photography — Tony Drumm @ 7:36 pm

Courtesy of John Cohn

Although I know him mainly as a colleague, I like to consider John Cohn a friend. I see him only rarely, not counting watching him during the run of the TV show The Colony, as he lives out east. But his passion for life, his work, and science is motivating. There are too few people like John.

If you happened to watch The Colony, you may know that John lost a son a few years ago to an accident, a devastating loss any parent can appreciate, and one which most of us, fortunately, have not had to experience. John now distributes small stones bearing Sam’s name all over. He placed one in the water filter on the show, and I’ve seen images of “Sam Stones” in places like the Middle East. It’s a beautiful way to honor his memory.

This morning, I saw the photo of Sam in a post by John on Facebook. Today, Sam would have been 18. Looking at the picture, I was moved, and I began to think about what photography is and what it means for us. And, why we photograph.

Ask me this on any random day, and I’d tell you I use photography to express my inner artist. I strive to make images that move people, that express the beauty of our world, the joy in someone’s eyes, a smile. It’s an art form that demands technical knowledge and subtle attention to detail. It’s creative expression in the camera settings, the angle of the shot, the available and artificial light, and the limitless ways to form the pixels in post-processing.

But photography is much more. It’s a gift we’ve been given by the pioneers who created this medium, by the countless photographers, chemists, engineers, and inventors. I have known the story of Sam for a while, but today I was moved by his image. Today, Sam is not just John’s son, he’s the boy in this picture. Today, I know Sam in a way I did not yesterday.

Photography is how I know my grandparents, all of whom died before I was walking. I know my mother as a child with a doll because someone took a picture and that picture survived.

I know my father as an infant from a time when photos were certainly not ubiquitous.

Dad as an infant in 1916

Certainly, photographs take us places and show us other people, other cultures, wars, catastrophes. They show us magnificent vistas, oil gushing from the ocean floor, rover wheel tracks on the surface of Mars. But they are personal, too, and maybe even more, they tell the stories of our lives. They will provide our future generations a glimpse into who we are. Humankind has never had this before.

Visual arts are uniquely human and ancient. Photography was probably inevitable. Photography today is truly everywhere. We don’t need to remember to bring a camera – we have our cell phones. Cameras were something you had to think about. It’s why you’d develop a roll and find pictures from last year’s vacation that you forgot were still in the camera. Today, we snap a dozen shots of friends and upload them to Facebook or Flikr before going to bed.

Yes, we photograph for different reasons. We want a beautiful print to hang on the wall. We want to capture memories of a wedding or senior year. We want to show our friends what they missed when we went to the beach. We want to remember some happy time in our life.

Or, we just want to introduce the world to Sam, a loving son who left us way too early.

May 21, 2010

Nerstrand Big Woods State Park

Filed under: Beautiful Earth,General photography — Tony Drumm @ 6:38 pm

Thursday, we drove out to Nerstrand Big Woods State Park. It’s a relatively tiny remnant of what once was the Big Woods. I always wondered if this is the same Big Woods from the Little House series. Certainly, the Ingalls spent a lot of time in Minnesota, but a little web searching reveals that Big Woods was in Wisconsin.

But Nerstrand is a nice park. Never mind the trees of the Big Woods, the highlight was the wildflowers. Above are (I believe) sharp-lobed hepatica. They are abundant now. The dwarf trout lilies are nearing the end of their blooming season, it seems. I really never saw a good specimen to photograph. Too bad, since they are only found here. I’ve been unable to find the name of these flowers, but they are tiny and delicate, and a worthy subject, I think.

I love spring and the green that it brings. The floor of the woods was, in places, covered by wonderful ferns, and green was just everywhere. There is a small falls in the park, Hidden Falls. I have a few shots of the falls, but frankly, the light was not great with the sun high in the sky and shining off the water at the top of the falls. I have to settle for other lovely subjects.

It helps when you have a subject that can easily move into better lighting! Especially if she’s willing. I was traveling light, so I left my reflector and flash in the car. I’m growing fond of sculpting the light, adding to it, moving it to suite the subject. Natural light can be good, but it’s far from ideal no matter what you might think. If we’re going to just grab the camera and lens and go, though, we need to be able to cope with what nature gives us. Lynne’s smile, fortunately, makes up for imperfect lighting.

There is also post-production, where we can alter the reality and try some creative ideas. Some will work, others not so much. Lynne’s light skin and light colored top made me think about trying a high-key lighting effect. These tend to be flattering for women, although I’m not sure how well I like the technique. But art is about trying, exploring boundaries, finding new expressions. Here’s my version of a high-key shot. I think I like it.

May 18, 2010

Father of the Bride promo shots

Filed under: General photography,Rochester Civic Theatre — Tony Drumm @ 4:00 pm

The Banks family

Last evening I shot a set of promo photos for RCT’s upcoming show, Father of the Bride. The cast includes some of my favorite actors beginning with Lynne, so I’m looking forward to opening night on June 4. These photos can be interesting as we try to capture the spirit of the show in a few frames with early costumes and, usually, a work-in-progress set. For the Snow White promo shoot I discussed earlier, we had virtually no set and shot against a black background.

This time, the set is beginning to take shape as you can see. For the official photos I sent to the theatre, I did a little cleanup of the background in Photoshop to rid the wall of some distracting bumps and marks. These shots I uploaded here have just a bit of cleaning that I could do in Lightroom.

Unlike the Steve Martin movie, this version of the story takes place in the 1950s. As a child of the ’50’s, that made me think of our old black and white TV and the many family shows of that era, Father Knows Best, Leave it to Beaver, Ozzie and Harriet. I thought a B/W treatment might be just right. I did a B/W conversion of a couple of the photos and cooled them just a bit with a hint of blue. I think they work pretty well this way. Here’s the other shot.

Time for a wedding

May 12, 2010

Head shots

Filed under: General photography,Rochester Civic Theatre — Tony Drumm @ 7:27 pm

Father of the Bride head shot

My first volunteering at Rochester Civic Theatre was helping out back stage. But it wasn’t long before I began providing my photography skills. Shooting head shots for the shows was my first mix of theatre and photography. Head shots were taken of the actors before each show and printed up 5×7 to display in the lobby. These might be taken by the director or someone else with a point and shoot camera. When Lynne started volunteering, digital photography was still pretty novel, so the head shots and show photos were shot on film.

When I started doing the head shots, I shot similar compositions to what I’d been seeing, trying to just up the quality a tad. The actors dedicate a lot of time and effort, all unpaid, to bring a show to life. They deserve to have decent photos on display. Over time, this has become more important to me. I began shooting with off camera flash which, of course, makes a huge difference. The images became more photos and less snapshots.

Yet, I could do more without a lot more effort. Just bringing a single umbrella and maybe a little reflector… Yes, now I can start to feel proud of these photos. Some shows have a huge cast, so I can’t spend tons of time, but I can still produce some good looking shots.

I now like to crop in close – Lynne thinks too close! But I want you to see the actor – truly see the actor. Feel something of a connection. Naturally, there are many different folks in a variety of ages and looks. Some faces love the camera like Cait. Some less so, but I try to do my best to present them well. I can empathize, because I hugely prefer my side of the camera. There are few photos of me that I like, and most of those show me using a camera.

The eyes are the windows to the soul, and some people have beautiful eyes. They draw you into the photo. As a photographer, my goal is to focus on those eyes. Given some time, a little emphasis on the eyes will make a stronger portrait. I notice eyes when I press the shutter. It was the first thing I saw even on the LCD display on my camera when I took Ellie’s photo.

Head shot for Gypsy

I was just looking back at some of my older head shots, and I’m so happy I’ve decided to spend a little more effort and use better lighting. These actors deserve the best I can give. I know not all of them love their head shots, but at least we’re not posting snap shots. When you have more than 30 or 35 folks in a cast, time is a bit of a constraint. But it takes only a bit more effort to make images worthy of the subjects, and it’s the least I can do.

May 2, 2010

Snow White Show Photos

Filed under: Rochester Civic Theatre — Tony Drumm @ 5:00 pm

Last night, I shot the show photos for RCT’s Snow White. Cast and crew have done a great job with the show, and I particularly enjoyed this interpretation of the tale. I don’t know if the look Denise used was written or hinted in the script, but the result was awesome. If you saw my earlier post about the promo shoot, the idea of an old time look (or is it olde tyme?) came up. I thought this show lends itself well to that stylistic representation.

Looking through the set of keepers from last night’s shoot, I sought out a few which might be fun to give an aged appearance. The shot above of Show White on her 16th birthday works, I think. The color version looks pretty good, to my eyes anyway. But this treatment provides some additional character. Here’s a shot in keeping with the promo shot, with young Snow and the dwarves.

I wish I could take credit for the nice triangular composition, but that was really Denise. There’s almost an 1800s feel to the costumes of the seven. The costumes are blacks and browns and oranges on a set that’s not a lot different. So, the color version of this shot doesn’t scream out color.

Here’s one final shot, capturing the wicked step mother/queen and Herself, the queen’s alter ego. Katie and Beth, the performers, did a remarkable job giving each of these characters life. Katie moves from role to role with such ease. We shot an audition tape of Katie for the Glee auditions that MySpace was running. (The monologue was goofed up during upload. A proper version is here.) She’d be wonderful on Glee. Beth recently played the Wicked Witch in the Wizard of Oz. I don’t know if I’m sensing a theme. Here, she moved like a gymnist, becoming the unencumbered inner spirit of the queen.

I shot the show in our normal fashion. The director comes to the shoot with a list, and we stage the shots. There are many advantages to doing this rather than trying to shoot during a performance. I have run of the house, so I can move about finding the angles I want. We can boost the lights when needed. Some scenes are notoriously dark, but the human eyes of the audience have no trouble with that. I can shoot on a tripod and ask the actors to hold still. Sometimes, they do!

But we can also recompose a scene for the camera. A stage is a large environment. A good director will use it fully to paint a scene with a broad brush conveying a message to the audience. But a camera is intimate. Like the first photo of Snow White above, it’s just she, up close, filling the image with her emotion. When I shoot the actors as they are blocked, I have to pull back, go wide, capture stage and set and not actors. Instead of feeling the actors’ emotion, the viewer just sees a nice set with some people.

Do we get the same emotion and spontaneity we’d have in a live performance? For most of the actors I’ve worked with, absolutely. They are actors, after all, and have been performing these roles in rehearsals and performances for weeks. Not every shot is going to capture every viewer’s immediate attention, but there usually are several that do. And, that’s the best you can hope for in any photo shoot.

April 25, 2010

Avatar look Part Duex

Filed under: General photography — Tony Drumm @ 11:37 am

I decided I had to finish the version I started in Lightroom. I like this one best. You can see what I did in Lightroom in my earlier post. Editing in Photoshop, I morphed some features a bit, did a little work on my eye, and added the text and glowing dots.

I think this shows the difference between Lightroom and Photoshop. LR does a lot of the heavy lifting, allowed me to do all sorts of exposure and color adjustments and even dodge and burn. But if you want to do more – take a photograph to a different level by actually changing the image, you need Photoshop.

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