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Earlier this month, I shot the first show of the fall semester at Riverland, Into the Woods. It’s a Sondheim musical that’s a sort of mash-up of several fairy tails into one story. It was made into a movie last year which was my first experience with the story.

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I find I really enjoy Sondheim. Music and lyrics are engaging and fun. The Riverland folks did a great job with it. I’d have loved to sit through it as a regular audience member, but I didn’t make it back to the show after shooting the final rehearsal.

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Photographing the show was fun, though. The set – the woods – was done well and lighting was a treat which is always great for me. Lots of colorful costumes rounded out the look, giving me tons to work with.

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To shoot a show like this, it helps to have some good technical capabilities – a camera that can cope with lower light levels is a real plus.

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That’s probably the biggest technical factor I need for shooting theatre. The 5D MkIII is up to the task, but I do sometimes look longingly¬†at the spec for Sony’s cameras and Nikon’s using Sony sensors. But I love the ergonomics of the Canon and how it fits me.

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Rumors have the Mk IV coming “soon” which will perhaps improve in the low light arena. Meanwhile, there’s really no complaining for what this hardware can do. Sometimes I recall where we were in film days, and there’s no comparison. You work with what you have, but I’d never be getting this kind of quality if I was limited to film.

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It’s sometimes fun to go back and shoot “analog,” develop it using smelly chemicals, waiting to see how you did until the processing is complete. It forces a discipline that’s a useful exercise and produces a look that is just a bit different. It can be emulated in digital, but it’s still somehow a little different.

When push comes to shove, though, I’d never want to give up the expansive world digital opens for us as artists.

I have another show to blog about soon, but I’m also looking forward to the next Riverland show I’ll be shooting in November.